Fixed Fence, Archival pigment on paper

Rigid, Archival pigment on paper

Directions, Archival pigment on lasercut dibond

Sahara, Archival pigment on paper

Tired, Archival pigment on hydro-formed dibond

Untitled-124, Achival pigment on lasercut dibond

Oops, Archival pigment on melted acrylic

Flow, Archival pigment on paper

Straightener, Archival pigment on lasercut, hydroformed dibond

Everything Else, Archival pigment on hydroformed dibond

Encore, Archival pigment on hand cut paper

Road Test Installed

Road Test Installed

Road Test Installed

Everything Else Detail

Oops Detail

Straightener Detail

Encore Installed

These images stem from an interest in traditional documentary photographic practices as well as pixel-based manipulations and sculpture. My photographs begin as a record of mark-making from automobile accidents upon Las Vegas' topography. Then the negatives are scanned into the computer where I digitally explore the images’ subject matter through repurposing tools originally intended for commercial photographic retouching. Such methods are inversely applied to accentuate, and often times compliment the mistakes. As a result the images draw comparisons between digital technology, fine art, photography, and social practices. Finally the images are explored through their output onto media determined by their content (i.e. a photograph of dented metal printed directly onto metal which is then dented).